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It’s a great way to get a good deal on an otherwise hard-to-find-guitar. If you love guitars as much as I do, the cost of collecting these instruments can take a toll on the checkbook, so one of my favorite pastimes is spelunking in the local pawn shops or perusing the local Craigslist ads. I don’t want some cheap knock-off or counterfeit like the infamous “Chibson” guitar. In my opinion the Ampeg 810 cab was better than what Peavey and Sunn had and part of why an SVT sounds so good and works so well.As a guitar player, when I drop money on a Fender, Gibson, Ibanez, PRS or any other top-of-the-line axe, I want to know that I am getting exactly that. I think the stacked cabs shown in the pic above for the F800B when it came out are the ones I tried and each had 1 18 inch speaker in a folded horn. I wasnt crazy about the 18 inch Peavey cabs they had for the F800B as I felt they sounded muddy, and I think thats what gave this amp the bad rep I sometimes hear, but used with an Ampeg 810 it was an amazing rig that would work in pretty much any venue.Īt that time I dont think Peavey offered an 810 cab for bass. I chose the Peavey head over the SVT because it had more headroom and raw power than the Ampeg or the Sunn and I didnt want to deal with all of those SVT tubes and service issues. The three big bass heads at the time were the Peavey F800B the Ampeg SVT and the Sunn Colosseum so those were my choices and I tried them all. I used the Peavey with an old square back Ampeg 810 SVT bottom which I also still have. I was upgrading from a Sunn Concert Bass at the time which didnt have enough power for the venues we were playing. If I remember it cost 650 at the time and about the same price as the SVT head back then. I bought a Super Festival F800B head new around 1975 or 76 which I still have. Normal, effects, series, and parallel inputs give so many options, but it really shines IMHO with the parallel option, very plexi-like. I play into an avitar closed back 212 cab w vintage 30s and its like heaven. Some may snicker at the (paying 200) but man 200 for a great head And they cost more than 200 back in 1978.
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These heads are 150 at Guitar Center all day long getting one shipped after tax was still under 200 and its perfect for what I do, dirty low-down rock n roll. It goes into an Avitar Closed Back 212 w Celestian Vintage 30s and I put a dirty compressor in front of it and let me tell you, my favorite amp of all time (ive owned 2 jcm 800s). I play out of a 1978 Peavey Standard 260H (with master volume and channel patching).
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Having grown up in a smallish backwater town, I can say that getting out was the best thing for 90 of the kids there, and those that stayed often had bad outcomes: I know several who were smart and organized enough to have done well if they had left, but they stayed until it was too late, and they wound up working dead end factory jobs their whole lives. Mixed feelings not because I wish Meridianites ill, but because without those jobs most would have packed up and moved, and they would probably have been better off if they had. He gave a lot of people in Meridian, Mississippi jobs, which I have mixed feelings about. Its easy to make fun of Peavey for their lack of boutique cred, low price, and propensity to be bought by The Uncool (fundamentalist churches are their bread and butter) but Hartley Peavey has made a hell of a lot of money and he did it honestly.